Apart from the heroine's brother, there are at least two characters who use a racial slur against the male protagonist and it looks highly contrived. There are several stretches of scenes that really don't add anything to the story. In his attempt to showcase the male lead as the personification of purity, director Sandeep Raj resorts to cliches that are a letdown.įor a film that has got a strong climax, Colour Photo suffers from a couple of shocking shortcomings. Sunil's character goes missing for a good part of the film. On the flip side, the film lacks in a few areas. Viva Harsha's reaction during a crucial moment in the climax is shockingly poignant. ![]() It's refreshing to see that the friendship segment isn't a series of vacuous and immature banter. The unusual, yet interesting scene brims with the writer's imagination.Īt a time when Telugu films seem to not take dialogue-writing seriously, Colour Photo gives us at least a handful of memorable lines. When she meets two young lovers seeking help, she cooks up a story inspired by the climax of Nuvvu Nenu to save them. Even though constant suffering has made her pale, she keeps her empathy intact. The trailer of the film suggested the female lead would be timid, but she turns out to be something else. ![]() ![]() They promise each other their eternal love, in front of a poster of Venkatesh-Soundarya's Pavithra Bandham, which in a way acts as their sole witness. It's only before the interval that they get to talk with each other at length. When the kind-hearted and hardworking Kannayya bumps into Deepthi, the film turns into a typical love-at-first-sight story. He sells milk and looks after his poor father. Back in the late 1990s, Suhas' Kannayya aka Jayakrishna lives with big dreams.
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